Nana Dzidziguri

Opera singer

Mezzo-soprano opera singer

Available For

Fee Range: €/$ up to 10.000
Languages: English, German, Italian

*Fee ranges are an estimation for a live keynote speech in an European venue, they can vary significantly depending on the specific requests of the clients, the type of performance, the preparation time and the travel time which is requested. Travel and accommodation costs are not included.

biography

Her presence on the stage would be ideal for the opening or the closure of glamorous and elegant corporate events, gala’s or dinners. Nana is a very talented Georgian mezzo-soprano with an important curriculum and a vast repertoire.

She was the soloist singer at the Braunschweig State Opera, Germany and the soloist singer at Tbilisi State Opera. She has held various roles including the solist Carmen part in Bizet “Carmen”, Maddalena in “Rigoletto”, Aldonza in “Man of la Mancha” Marcelline in “The Marriage of Figaro”, the old Lady in “Candide”, Frederique in “Luisa Miller”, Amberis in “Aida” and alto part in Mozart “Requiem” or “Coronation Mass”.

Nana studied opera singing at the State Conservatory V. Sarajishvili in Tbilisi. During her studies, she made her debut at the Batumi State Opera as CARMEN and FENENA in “Nabucco”. At the Opera Studio of the Tiflis Music Conservatory she elaborated o.a. OLGA in „Eugen Onegin“, MARZELLINE in „Le nozze di Figaro“, the THIRD DAME in „Die Zauberflöte“ and LYUBASHA in Rimsky-Korsakov‘s “The Tsar’s Bride”.

Nana Dzidziguri attended master classes with Montserrat Caballé in Zaragoza, Mirella Freni and Enzo Dara in Modena, and in Tiflis with Badri Maisuradze and Paata Burchuladze. In 2016 she won the first Prize at the ‘Voci Verdiani’ International Singing Competition in Busseto and she is winner of the Premio Roma. She was also a finalist in the Montserrat Caballé Singing Competition and the International Singing Competition of the Accademia del Maggio Musicale Fiorentino at the Opera di Firenze.

Nana sings in Italian, French or German depending on the repertoire.

Topics

Opening and closure of an event with a solo opera aria

 

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